Materials Lists
Winter 2025
IN-STUDIO
Drawing from the Model (In-Studio)
SELF-DIRECTED COURSE
Sketchbook 9x12” / 11” x 18”(sold at MHC bookstore or office supply stores)
Pencils for sketching and erasers
Charcoal, willow sticks, pencils, as desired
Newsprint (MHC bookstore)
2 BullDog clips for holding newsprint
In-Studio
Learn to Draw: A True Beginner’s Course
INSTRUCTOR: KIMARA WHITE
Set of good quality drawing pencils
White Charcoal Pencil
Vine Charcoal (College Bookstore)
Soft charcoal
Large Sketchbook 9x12” or any one you have
Kneadable eraser
Good quality Rubber eraser
Good pencil sharpener
IN-Studio
Painting Flowers from Life in Acrylics
INSTRUCTOR: Ursula Maser
Supplied by Instructor
Fresh flowers and mason jar
Cradled wood panel (pre-primed)
White presentation folding cardboard (backdrop)
You will need to bring
Pencil and eraser
Paper towel or baby wipes
Container for water
Paint brushes – Assorted sizes. Recommended: Synthetic rounds and flats in sizes 2-8. Bring what you have and are comfortable with.
Wet palette or 9x13” Tupperware with a tight-fitting lid
Palette paper or parchment baking paper
Water spray bottle
Acrylic Paints - Please bring the following colours:
Red
Blue
Yellow
White
Raw or Burnt Umber
Optional (Highly Recommended) for floral painting, these colors are most loved:
Quinacridone Red or Naphthol Red
Quinacridone Magenta
Cadmium Yellow Light
Yellow Ochre
Ultramarine Blue
Phthalo Blue (green shade)
Titanium White
Raw or Burnt Umber
Paint Quality Tip:
It is better to buy a few high-quality primary colors and learn to mix them than to purchase a large range of cheaper colors. Golden Heavy Body Acrylics are preferred, but if they’re outside your budget, Liquitex Basics (student grade) is a good alternative.
IN-STUDIO
Acrylic Painting - Landscape Focused
INSTRUCTOR: Kimara WHite
Paints (Basic Colors to Start With):
Burnt Umber
Red
Yellow
Blue
White
Black
You may need additional colors depending on your project.
Choose good-quality paints and avoid brands like Artist Loft.
Recommended Brands:
Winsor & Newton (Student or Professional Grade)
Golden (Professional Grade) (Instructor's favorite)
Liquitex (Professional Grade)
Brushes
Brand Recommendation: Royal & Langnickel (Available at Michaels at a good price)
Suggested Types:
Small detail brush
Medium-sized brush
Large brush
IN-STUDIO
Making Painting Happen: Oil or Acrylic (In-Studio)
INSTRUCTOR: DOUG Swinton
Important Note:
50% of learning to paint is in the quality of your supplies. Using inferior-grade products will likely lead to inferior results.
Choose Your Medium: Oil or Acrylic Paints
Supplies vary slightly depending on your choice.
Paints (Essential Colors for Both Mediums):
Cadmium Yellow Light
Cadmium Yellow Deep
Yellow Ochre
Cadmium Orange
Perylene Maroon (Maroon in Acrylic by Golden)
Quinacridone Rose or Permanent Rose
Ultramarine Blue
Manganese Blue Hue
Viridian Green
Titanium White
Tips:
Use artist-grade paints (e.g., Gamblin, M. Graham).
Avoid student-grade or craft paints.
Tools & Accessories
Palette:
Use a large palette (strip-off palettes are great).
Avoid using egg cartons or Styrofoam meat trays.
Brushes:
High-quality bristle brushes (no dollar store brushes).
Sizes: 2, 4, 6, 8, 10 (flats).
1–3” cheap big bristle brush (for blending).
#1 or #2 taklon liner brush.
Medium-Specific Supplies
For Oil Painters:
Small amount of Q-tips (store in a zip-lock bag).
Metal, leak-proof brush washer. (You do not need to bring solvent; it will be provided in class.)
For Acrylic Painters:
Yogurt containers with a kitchen scratch pad (for cleaning brushes).
Canvas Options:
Choose any size you'd like to try.
Smaller canvases are easier to finish in class.
Larger canvases leave less time for experimentation.
Examples:
8x10” or 9x12” economy canvas boards/panels.
Masonite boards.
Additional Supplies:
Sketchbook (for thumbnails and notes).
Vine charcoal.
Blue shop towels (available at hardware stores).
IN-STUDIO
Watercolour Landscapes
INSTRUCTOR: Arnold Ingelson
At least 3 to 5 sheets of Watercolour paper (or more) - (Varied brandnames - your choice as each paper offers different effects: includes Strathmore, Canson, Archers, Bienfang, etc.)
preferably at least 140 lbs. weight
SIZE: preferably 12” X 18” OR 18” X 24” OR larger if you are interested in experimenting on a larger surface. (It has been my experience that working larger on watercolour & canvas paintings encourages greater exploration & discovery.)
Masking tape
A stiff wooden board to mount paper on
A pencil
A ruler
Watercolour paints either in tubes or solid cakes. - Variety of colours preferably primary & secondary colours plus black & white.
Feel free to use watercolour or gouache (whatever brandnames you like… it can vary - Reeves, Staedtler, etc.)
***If time permits, I may demonstrate Casein Colour - Richeson Casein
Mixing trays, plastic tray palettes or even plastic lids from yogurt, margarine or ice cream containers
at least 2 containers for water
Paper towels or cloths
a small container of sea salt / table salt
Variety of different sizes of flat / square & rounded paint brushes. If possible one larger 1 inch to 2 inch wide paint brush (nylon or hair)
Note: Dollar Stores work great for many of these items. Do NOT get carried away with pricey items!
IN-STUDIO
Introduction to Linocut Workshop
INSTRUCTOR: Janine Samuelson, Press and Relief Studio
All materials included.